My 97th appointment with Horizakura was a relaxing hour and a half of tebori shading on my left forearm. Nothing much of note here, just a nice time to chat and listen to music. I’m very late with this post as I have another appointment tonight. So there will be another update tomorrow, likely with more shading.
You will also notice that these pictures are perhaps not as uniform as what I usually post up here. I totally forgot to take pictures after the last appointment, so I had to snap these at work on an unfamiliar camera with a less than ideal setup. They’re good enough for archive purposes, but you’ll notice one is out of focus. It is what it is.
Perhaps my title is a touch dramatic, but Thanksgiving travel is the only explanation for the traffic I hit on the way to my 96th appointment with Horizakura. A normal drive into the city should take around 45 minutes for me, but this commute (despite it being a Tuesday) took an hour and 45 minutes. It was absolutely brutal and so incredibly frustrating to be late on a day when work was finally not an obstacle in the way of me making it to an appointment. The bright side is that the holiday season tends to be a bit more calm in my industry so I’m optimistic about the appointments we have going forward. Getting there when I did only left Horizakura an hour to work, and I suspect that is why he opted to shade some of my arm instead of continuing with the outline. The background outline often takes some time to draw on and work out the flow and it’s my guess that he opted to maximize our time together by going with some shading which he can start right away. You might be wondering why I didn’t just ask him for his reasoning. I don’t have a very good answer to that question other than to say it doesn’t really matter to me. Sure I’m increasingly excited about being near the end of the full outline, but it all has to get done eventually. The order it gets done in will be largely inconsequential when we cross the finish line.
From an outsiders perspective there probably isn’t anything exciting about the results of this appointment. From my perspective, having full sleeves has been a goal since I started getting tattooed nearly 15 years go. Seeing this take shape is very exciting to me, no matter how small the step forward is.
For my 90th appointment Horizakura, as expected, continued shading the background on my belly. You’ll notice fresh work around the navel and in the clouds/wind behind the most prominent tail feather to the bottom left. Due to time, we weren’t able to finish all of it, as you can see below there are still a couple windbars that need shading around my navel. Overall, this was an easy appointment for me, though I’m sure I have the gentle nature of tebori and the delicate touch of Horizakura to thank for that. At one point, Horizakura’s apprentice remarked at how deep into the belly button he was tattooing and he called it a black hole. I’m not sure why I found it so funny, maybe because the fatter I get the deeper my belly button gets, but I laughed so hard that he had to stop tattooing briefly so I could compose myself.
Next appointment is supposed to be the outline of Fudo Myoo on my left arm, but I’m not sure if that is still the plan since we didn’t get the stomach background finished. We’ve never done shading and outline in the same appointment before since it’s two different set ups, but there’s a first time for everything. As of right now, it’s looking like I might have to cancel my next appointment for a work project, but there is a glimmer of hope that perhaps I can schedule work around the appointment. We’ll see.
My 87th appointment with Horizakura was 1.5 hours of tebori from the top of my thigh and across my pubic region. I really can’t begin to explain how little I enjoy typing “pubic region” but I don’t really know what else to say. It is what it is. This was a nice appointment, nothing too far out. Just some nice music and light chat. I was glad to be back as there have been a variety of circumstances that have kept us from maintaining our usual two week schedule. I’ve already cancelled my next appointment since my wife and I are going on a (very necessary) vacation. We’re averaging about 1 appointment per month in the new year which is definitely a bummer, but hopefully we will pick up steam as we move into spring. It has gotten to the point that I don’t really feel like myself when I’m not getting tattooed or healing a fresh tattoo. It makes me feel disconnected in a way that’s a little difficult to articulate.
I’m writing this post a little bit later than I usually do, so I can include a quick note about healing. Where my leg/crotch crease in a seated position has been rough this time. I didn’t have any issues healing this area on my left side, but this has been the most troublesome spot to heal in recent memory. I have dry healed just about every inch of this tattoo, but this spot got a little bit of ointment to try to aid in the healing. We’ll see how it goes.
Looking forward, we have maybe two or three sessions of shading left before it will be time for more outline. This excites me.
After a cancellation because of inclement weather, Horizakura and I were finally able to meet for our 86th appointment. Without any further preamble, I am delighted to say that he has finished shading the background on the deepest edge of my butt cheek/inner thigh. Regular readers will recall that this particular area is among the worst to experience, not because of the pain, but because of the undignified position required for the artist to access that area. For 30-45 minutes, I held my leg in the air while he tattooed this final bit of skin. Even though we have reached a very real comfort level with each other, there is no world where this position is comfortable, and I am delighted to be done with it. The remainder of the appointment was spent tattooing over my left hip area.
Prior to starting this appointment, we picked up the discussion of putting Fudo on my left arm. I have really warmed up to the idea overall, but I really wanted him to show me how the size and shape would fit on my arm. He took a minute before the appointment to sketch it out on my arm, and even in that rough outline, I could see the power of what he was going for. When I set out on this journey, a foreign deity was not on my list of subjects for this tattoo. While I always have and always will believe that these tattoos are given freely to everyone regardless of race or religion, I have to admit I felt a certain reservation about having a tattoo of a deity I had no connection to. Over the past month, I considered Horizakura’s explanation of why Fudo would be the right choice for my left arm. He said my tattoo is very spiritual and it needs something to unify it. I am not a particularly spiritual person in the sense of ritual, but I am fairly spiritual in the way I feel people interact with each other and the world around them. I also think that you can learn a little something from everyone, regardless of where you’ve come from. Even still, I wrestled with the idea of this tattoo going in this direction until I realized a certain aspect of the process that I had been glossing over. The true reason that I have been going through this process isn’t because I need to have a collection of personal medallions tattooed on me as talismans for my hopes or fears. I have been doing all of this because of my love for Japanese tattoo as a whole. Odd as it may seem, this isn’t about trying to lay bear my innermost being so the world can see. It’s about having and being tattooed and engaging with the mystery and energy that experience lends. Living the rest of my days with a tattoo from Shinji is really all that I have ever wanted. This is my path to engage with the culture of Japanese tattoo and I am not afraid to adjust my understanding of what that path actually entails versus my expectations for it.
My 85th appointment with Horizakura was two hours of tebori shading around the jewel on the inside of my left leg. For this area, I once again had to assume my least favorite position: on my back, legs spread, with one leg held straight up. After about 15 minutes or so, he moved to an area that required my leg to be up and out to the side more. Here, he used one of the support stands he has in the shop and raised it all the way up so my leg could rest on it. That was a major game changer for me. Not having to focus on both managing the pain and keeping my leg up was helpful and relaxing. Generally, this area isn’t too terrible for me, except for where he gets really close to my crotch. That part felt very sharp. Other than that, mostly a dull pain throughout the night.
At the end of the appointment, Horizakura mentioned that he is thinking about something different than a dragon for my left arm. He thought maybe Fudo-myoo would be good. I like Fudo, but my concern is that my arm just isn’t big enough to accommodate the design. I also didn’t really want any deities in my tattoo when we first got started. As I’ve continued down this road though, I’ve definitely become more open minded to having something other than animals in the suit. I want to take some time to think it over though. Ultimately, I really want this tattoo to be something Horizakura is proud of. I want it to be his design. I just haven’t really digested the idea yet. We’ll see what happens!
I was originally going to write up a wrap up post for the end of 2020, but I didn’t. I don’t really have a good excuse. It just didn’t happen. Instead, I’ll combine it with this post which will also detail my 84th appointment with Horizakura.
2020 was better for me than it was for most people, so I am always hesitant to complain. I had my fair share of heartbreak, I certainly wouldn’t call it a good year, but I came out the other side better than some. NYC was locked down for a few months, so in total we logged about 21.5 hours of tattooing over 14 appointments. These are my lowest tattoo numbers to date, but some of the work has been really exciting which compensates nicely. Moving onto my torso was huge for me. There’s really only a small portion of my suit that isn’t outlined at this point.
Here are front and pack photos of how I look after my last appointment of 2020. You would think that by now I would have been smart enough to be regularly taking full body shots so we could see the progress in a more “macro” sense, but I’ve never claimed to be very smart, so here we are. You get two pictures.
Sorry the legs are a little dark here. I wasn’t evenly lit. Here’s a leg shot since you won’t stop complaining.
Moving on. My 84th appointment was more tebori on my left thigh. The wave that was only half finished was completed and a good chunk of background around the koi was shaded as well. We’re running out of leg here… in fact, we’re running out of background to shade. There is a small strip on my right thigh/hip, the rest of the left thigh, and the area over my pubic bone. After that it might be time for more outlining! I say that with an exclamation because new outlines are exciting, but the process is terrible. Tebori is infinitely better.
My 83rd appointment with Horizakura started off pretty similarly to my 82nd appointment. To his credit, he tried to get me into several different positions to best access the area that needed to be tattooed, but none of them were giving him the space he needed to work. He determined that my least favorite position would be the best solution. Thus I found myself once again laying on my back, holding my left leg over my head. It didn’t last too long, but any amount of time in that position is enough for you to be happy when it’s over. Afterwards, I was in a bit more of a neutral position with my left leg kicked out to one side so he could continue to shade my inner left thigh. My right foot was flat on the table with my knee bent. Quite comfortable. Until the cramping began.
I have a tendency to cramp when I sit motionless for long periods of time. This pretty much only happens when I get tattooed, but my diet/water intake doesn’t seem to ever change it. When I’m getting tattooed, I do my damnedest to not move at all unless I’m asked to. During this particular appointment, somehow, my knee cramped up. I did not know that this was possible, but sure enough, after about an hour of lying there with a bent knee, I could feel a cramp develop under my kneecap. It felt really, really weird. I try to never interrupt the appointment because I consider my time there to be precious, so I just kinda bit the bullet and willed the cramps away. Really, there is probably no need for me to endure that, but when you don’t have anything else to do during a tattoo appointment, any diversion can be a fun one.
Not much else to say here. My next appointment is in two weeks and I’m sure it will be more sweet tebori action. I am perpetually fired up!
Here I have some photos from my 82nd appointment with Horizakura. I’m actually writing/posting this a week after the appointment, Thanksgiving and a very busy work schedule got in the way. This appointment was more shading on the inside of my legs. When we were first getting ready to begin, Horizakura looked over the outlines and noticed that the only remaining unshaded background on my right leg was a small spot very high into my crotch, where my butt cheek meets my thigh. I don’t remember his exact wording, but he basically said something like, “There’s a small spot there…” As if he was asking me if I wanted to work on that spot today. I didn’t think much of it at the time, but I later realized the implication was that since it would only take a short while to finish off that spot, he would be tattooing both my legs during the same appointment. My response at the time was, “Do whatever you think is best.” He did. The net result was me hobbling around like I had shit my pants for about two days while both my legs were healing. Whoops.
Anyway! Not much more of note from this appointment. In order to access the small spot, I once again had to lay on my back and hold my leg up in the air. Super cool tattoo guy pose! It’s pretty exhausting holding your leg over your head for like 45 minutes. The only good to come from that was once he finished with that area and moved over to my left leg, it was so relaxing that I dozed off for a bit. Of course, that’s after the initial shock of crossing over to the other side of my body went away. I’ve mentioned this elsewhere on this blog, but whatever natural pain management systems your body has, it doesn’t work moving across the center line of the body. It’s basically like starting the appointment from the beginning again. Inner thigh is a pretty easy area to get tebori though (for me), so no real drama there. Afterwards we grabbed a couple beers like usual. It’s getting cold in NY though, so I’m not sure how much longer we’ll be able to keep that up!
I have another appointment coming up next week, but before that, I’m hoping to get up a post or two about some of the books I’ve received in the past few weeks.
Session 80 with Horizakura brought more shading of the water and waves of my right leg. Not a bad appointment at all. We chatted a bit about seasonal tattoos like sakura fubuki, momiji chirashi, and kikusui. Mostly, I’m putting that here so I have a place to reference it if I forget later. I got nothin’ else! These pics will have to do: